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“New Compositions for Kodo Special Concert 2017 ‘Michi’: #4 Kani Moon” by Mitsuru Ishizuka


New Compositions for Kodo Special Concert 2017 “Michi”: #4 Kani Moon

The seaside at night on Sado Island is very quiet.
All you can hear is the sound of waves… or so you may think.
If you listen veeeery carefully, you can hear little commotions all over the place…

Photo: Narumi Matsuda

Well, well, what’s going on then?

I hope you will tune in to find out!

mitsuruishizuka_s

Director:

Mitsuru Ishizuka

Performers:

Motofumi YamaguchiEiichi SaitoTomohiro MitomeYuichiro FunabashiMitsuru IshizukaKenta NakagomeTsuyoshi MaedaMaya MinowaShogo KomatsuzakiKoki MiuraTomoe MiuraMizuki Yoneyama

*Cast is subject to change without notice.

news20170300michi

Kodo Special Concert 2017 “Michi” (Japan)

  • Mar. 18 (Sat), 2017 [14:00] Fussa Shimin Kaikan Dai-Hall (Mokusei Hall), Fussa, Tokyo
  • Mar. 19 (Sun), 2017 [16:30] Kodaira Citizens Cultural Hall (Rune Kodaira Dai-Hall), Kodaira, Tokyo
  • Mar. 20 (Mon/Public Hol.), 2017 [16:30] Ota Kumin Hall Apricot Dai-Hall, Ota Ward, Tokyo
  • Mar. 25 (Sat), 2017 [13:30] Shin-Kabukiza Theater, Osaka City
  • Mar. 25 (Sat), 2017 [18:30] Shin-Kabukiza Theater, Osaka City
  • Mar. 26 (Sun), 2017 [13:30] Shin-Kabukiza Theater, Osaka City

About Kodo Special Performance “Michi”


“New Compositions for Kodo Special Concert 2017 ‘Michi’: #2 Gunjo” by Mitsuru Ishizuka


New Compositions for Kodo Special Concert 2017 “Michi”: #2 
Gunjo

Techincally speaking, this is not a new piece. However, it has only been performed twice at Earth Celebration, so it will be performed outside Sado Island for the first time in “Michi.”

Photo: Narumi Matsuda

Gunjo means ultramarine blue.
Imagine the sparkling ultramarine blue of the summer sea stretching out in front of you.
This piece was created to depict the exhilarating feeling of wanting to run out to sea and the sensation of sprinting.

It’s only March, but this piece will make you feel like it’s mid-summer on Sado Island!
I hope you’ll look forward to hearing it!

mitsuruishizuka_s

Director:

Mitsuru Ishizuka

Performers:

Motofumi YamaguchiEiichi SaitoTomohiro MitomeYuichiro FunabashiMitsuru IshizukaKenta NakagomeTsuyoshi MaedaMaya MinowaShogo KomatsuzakiKoki MiuraTomoe MiuraMizuki Yoneyama

*Cast is subject to change without notice.

news20170300michi

Kodo Special Concert 2017 “Michi” (Japan)

  • Mar. 18 (Sat), 2017 [14:00] Fussa Shimin Kaikan Dai-Hall (Mokusei Hall), Fussa, Tokyo
  • Mar. 19 (Sun), 2017 [16:30] Kodaira Citizens Cultural Hall (Rune Kodaira Dai-Hall), Kodaira, Tokyo
  • Mar. 20 (Mon/Public Hol.), 2017 [16:30] Ota Kumin Hall Apricot Dai-Hall, Ota Ward, Tokyo
  • Mar. 25 (Sat), 2017 [13:30] Shin-Kabukiza Theater, Osaka City
  • Mar. 25 (Sat), 2017 [18:30] Shin-Kabukiza Theater, Osaka City
  • Mar. 26 (Sun), 2017 [13:30] Shin-Kabukiza Theater, Osaka City

About Kodo Special Performance “Michi”

 

 


“New Compositions for Kodo Special Concert 2017 ‘Michi’: #1 Shiun” by Mitsuru Ishizuka


New Compositions “Kodo Special Concert 2017 “Michi”: #1 
Shiun

As well as classic powerful pieces from Kodo’s repertoire, we will share some brand new compositions created by current Kodo members in the upcoming “Michi” performances.

Photo: Mariko Sumiyoshi

Shiun was composed by petite powerful drummer Maya Minowa. Breaking free from Kodo’s firmly-rooted image of gentle, elaborate female performers, this piece arose from a discussion where I said I’d like to hear women playing taiko that is awe-inspiring, powerful, and uses all their willpower and physical power.

“Fighter Minowa” called on every fibre of her being to create this piece, and in “Michi” it will be performed by three young female performers: Maya, Mizuki, and Tomoe. They will drum with all their might! Come along to see how this new piece has turned out!

Don’t miss it!

mitsuruishizuka_s

Director:

Mitsuru Ishizuka

Performers:

Motofumi YamaguchiEiichi SaitoTomohiro MitomeYuichiro FunabashiMitsuru IshizukaKenta NakagomeTsuyoshi MaedaMaya MinowaShogo KomatsuzakiKoki MiuraTomoe MiuraMizuki Yoneyama

*Cast is subject to change without notice.

news20170300michi

Kodo Special Concert 2017 “Michi” (Japan)

  • Mar. 18 (Sat), 2017 [14:00] Fussa Shimin Kaikan Dai-Hall (Mokusei Hall), Fussa, Tokyo
  • Mar. 19 (Sun), 2017 [16:30] Kodaira Citizens Cultural Hall (Rune Kodaira Dai-Hall), Kodaira, Tokyo
  • Mar. 20 (Mon/Public Hol.), 2017 [16:30] Ota Kumin Hall Apricot Dai-Hall, Ota Ward, Tokyo
  • Mar. 25 (Sat), 2017 [13:30] Shin-Kabukiza Theater, Osaka City
  • Mar. 25 (Sat), 2017 [18:30] Shin-Kabukiza Theater, Osaka City
  • Mar. 26 (Sun), 2017 [13:30] Shin-Kabukiza Theater, Osaka City

About Kodo Special Performance “Michi”

 


“USA Tour Opening Night in Yakima” by Hayato Otsuka


Jan. 29, 2017

途中のスキー場/Photo: Hayato Otsuka

A ski field I saw from the bus

After the plane trip from Japan to the USA, the moment I arrived in Yakima felt like a baptism of sorts. I was plunged into a sub-zero world and I felt my body and soul flinch in the cold.

ヤキマの街並み/Photo: Hayato Otsuka

Out and about in Yakima

While it was freezing outside, all the locals were very kind and I felt their warmth through our interactions.

アンパッキングの様子/Photo: Hayato Otsuka

Unpacking and setting up our taiko

 

On and off stage, I truly felt firsthand that while we may live in different countries and have different cultures, all we need is the desire to share with one another for our hearts to communicate.

During our performance, we were uplifted by powerful applause, cheers, and whistles from the audience, and naturally we responded to each moment of “communication” with passion in each beat of our performance!

アンコール後

The DADAN 2017 USA Tour got off to a great start thanks to such a warm welcome and response in Yakima.

Now we are off to our next destination… I wonder what encounters await me today?
I will do my very best until the last performance of the tour and I plan to learn as much as possible during my travels.

主催のCapitol Theatre様より

Gift basket from the presenter, The Capitol Theatre.

hayatootsuka_s


news20160317dadan

Jan.–Mar. 2017 “DADAN 2017″ –Kodo 35th Anniversary Production– USA Tour
http://www.kodo.or.jp/news/20170126dadan_en.html

 

ANA DADAN 2017


“My Last Tour” by Shunichiro Kamiya


Jan. 24, 2017

My Last Tour

I am about to set off on my last tour with Kodo, the “DADAN” USA Tour.
I am really looking forward to exchange with people in the USA through taiko and our performances!

Photo: Shunichiro Kamiya
I want to soak up every experience while I am there. Time to go!

shunichirokamiya_s
ANA DADAN 2017


“Heading to the US! DADAN 2017″ by Ryotaro Leo Ikenaga


Heading to the US! DADAN 2017

 

We’ve just left Kodo Village for our North American tour of DADAN!

IMG_3147

Sending us off were the newest members to the Kodo family- the junior members, fresh out of the Apprentice Centre.

Personally, it’s been four years since I’ve been back home in the US.

We look forward to seeing you all!


“DADAN 2017″ USA Tour –Kodo 35th Anniversary Production–
http://www.kodo.or.jp/news/20170126dadan_en.html

Performers: Masayuki SakamotoYosuke KusaYuta SumiyoshiJun JidaiShunichiro KamiyaRyoma TsurumiKengo WatanabeRyotaro Leo IkenagaHayato OtsukaReo Kitabayashi, Issei KohiraMasayasu MaedaKoji Miyagi, Kodai Yoshida

*Cast is subject to change without notice.

Photo: Takashi Okamoto

Note: This photo is a Kodo DADAN promotional image that features four members from the 2017 USA Tour cast: Kengo Watanabe, Ryotaro Leo Ikenaga, Hayato Otsuka, & Reo Kitabayashi

ANA DADAN 2017


“The Young Ones, Back in Action” by Ryotaro Leo Ikenaga


The Young Ones, Back in Action

Happy New Year, everyone!

Photo: Erika Ueda
Kodo’s young members, myself included, got back into action early on this year with a live-in rehearsal period from Jan. 4.

Photo: Erika UedaPhoto: Erika Ueda

A new year is a new start, so we planned this rehearsal period with that in mind.

We practised core pieces that Kodo has performed since its early days, such as “Miyake” and “Yatai-bayashi,” under the instruction of Kodo’s veteran members.

Photo: Erika Ueda
Through these sessions, we also wanted to explore some new pathways. So we pooled and shared ideas and compositions, then worked together to create new sounds and pieces.

Photo: Erika Ueda

 

We were the only ones at Kodo Village and every day we made new discoveries and realizations. It was an opportunity for us all to reaffirm just how lucky we are to have a place where we can create sound all day long.

Photo: Erika UedaPhoto: Erika Ueda

In 2017, we have all set our sights on new heights!
We hope you’ll cheer us on!

 

30-池永レオ遼太郎Portrait_2015_0444-mc


“My Travels in the USA” by Yuta Sumiyoshi


My Travels in the USA

Happy New Year, everyone!
Late last year I was traveling through the USA. In case you missed it, here is a link to a blog post by Kodo staff member Yui Kawamoto who accompanied me for the first leg of my trip: [Kodo Blog] “Taiko Fun in Los Angeles!” by Yui Kawamoto

Photo: Kim Nakashima

With On Ensemble, Kaoru Watanabe, Fumi Tanakadate. I’m in the front on the right.(Photo: Kim Nakashima)

Starting in Los Angeles, I traveled to San Diego, Las Vegas, Chicago, and New York, to lead workshops and take part in concerts.
Everywhere I went, I met so many different people. Taiko players and musicians, and people who are neither. Each community I encountered welcomed me and I enjoyed all kinds of exchange during my stay. Sometimes it was through sightseeing. Sometimes it was over a drink. Sometimes it was during a jam session. I was so well looked after by all the people I spent time with everywhere I went.

Photo: Kim Nakashima

Collaboration in Los Angeles with On Ensemble, Kaoru Watanabe, & Fumi Tanakadate(Photo: Kim Nakashima)

If I start writing about what I did in each place, well, that will turn into a very long story… (lol)
So, I would like to write about some of what I felt and the lessons I learned during my travels in the US.
I planned this trip based on my own desire to see what I could do alone, as one person. Until now, I have always relied on the support of others in various ways… musically, linguistically (lol).
So I wanted to stand on my own two feet and face all those challenges myself. As I set off on this trip, I thought of it like a journey to gain and hone skills.

Photo: George Hirose

At Shapeshifter Lab in New York performing Kaoru Watanabe’s “Néo”(Photo: George Hirose)

Instead of creating sound with a group (in my case, Kodo), on this journey all that sound would come from me. I mean that physically speaking it would be just me playing and that I would be responsible for the sound I created when I played with others. I wanted to step up to each occasion as myself, Yuta Sumiyoshi from within the Kodo group, and not as “Kodo.” I would appear alone in jam sessions, naturally, but I would carry that intent into my ensemble performances and workshops, too.

Photo: George Hirose

With Kaoru Watanabe [left]  (Photo: George Hirose)

 

On this trip, I had many opportunities to improvise during performances. I rediscovered the sensation you get when the sound you create ignites your fellow performer, right there and then. It reminded me that when I play with Kodo that we absolutely need to feel that sensation during our performances, the sense of creating stimulus as we perform.

That sensation of spurring each other on when you perform on stage.

Noticing how good it feels, and how intense it feels until you reach that point.
Wondering how to get there. Wondering what kind of flow you want to create.

And it’s not just me playing, so I consider what kind of sounds can I create amongst different musicians. What sound do I want to create?

It’s like having a conversation with sound instead of words. (My communication in English is also like that at times, lol)
Next… I’ll play this! And I’ll add a break… here!
This back and forth becomes music and the interaction creates one big flowing dialogue.

These new sensations were really eye-opening and taught me so, so much.

Photo: Kim Nakashima

Photo: Kim Nakashima

 

The workshops I led in each place I visited were also really invigorating experiences for me. My mindset was to convey as much as possible without relying on an interpreter! (lol)
I have written about this before (maybe not in English) but in a workshop you appear as your real self. You can’t fake anything and you can’t pretend to be something you’re not. When I stand before others in a workshop, I can convey what I am particular about when I play and what I keep in mind in general. Each workshop was full of lessons for me, in the same way I learned a lot through each performance. In workshops, questions fly about from different perspectives than I am used to with Japanese people. Some questions are sharp and to the point, others are broad. In many instances, the questions I was asked made me suddenly aware of my feelings and theories about all sorts of things!

Photo: Yui Kawamoto

I could keep on writing about so many things, but there is too much to say and I still haven’t figured out how to sum up what I experienced on this trip. For now, I’m going to let it sink in, bit by bit, and I am going to share more thoughts with you all once the words come to me.

I am truly grateful to everyone who I met during my travels around the USA in late 2016. I am already looking forward to seeing you all again soon!

yutasumiyoshi_s


“Karuizawa Ohga Hall” by Kenta Nakagome


Karuizawa Ohga Hall

On Saturday, we performed at Karuizawa Ohga Hall in Nagano Prefecture.

Photo: Kenta Nakagome

Warming up for the performance

The hall is a pentagonal shape, which was apparently designed and calculated for the echo of sound inside. It is a wonderful venue.

Photo: Kenta Nakagome

The reverberations of our taiko were great, as was the weather in Karuizawa, so the combination of the location and day made for a really feel-good performance.

Photo: Kenta Nakagome

Tonight we have a performance in Iruma, Saitama.
http://www.kodo.or.jp/oet/20161101a_en.html

kentanakagome_s

rasen-web

Production Details
http://www.kodo.or.jp/news/20160900oet_en.html

2016 Japan Tour Schedule
http://www.kodo.or.jp/oet/index_en.html#schedule26a

Dec. 14 (Wed), 2016 Fukuoka Performance
http://www.kodo.or.jp/oet/20161214a_en.html

Dec. 17 (Sat), 18 (Sun), 2016 Osaka Performances
http://www.kodo.or.jp/oet/20161217-18a_en.html

Dec. 21 (Wed)–25 (Sun), 2016 Bunkyo Civic Hall, Bunkyo Ward, Tokyo
http://www.kodo.or.jp/oet/20161221-25a_en.html


“A Visit to Shiretoko Goko Lakes” by Kenta Nakagome


A Visit to Shiretoko Goko Lakes

Photo: Kenta Nakagome

I visited Shiretoko Goko Lakes the day before our “Spiral” performance in Abashiri, Hokkaido.

Photo: Kenta NakagomePhoto: Kenta Nakagome

Surrounded by nature, the peace and quiet there felt so good.

中込健太

Luckily, I didn’t encounter any bears!

kentanakagome_s

rasen-web

“Kodo One Earth Tour 2016: Spiral” Performance Details
http://www.kodo.or.jp/news/20160900oet_en.html

Schedule
http://www.kodo.or.jp/oet/index_en.html#schedule26a


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