“The Excitement I Felt Back Then” by Kengo Watanabe

Photo: Takashi Okamoto

Miyake is a very important piece to me. My life as a taiko player wouldn’t be the same without Miyake.

Photo: Takashi Okamoto

It was watching Kodo play Miyake that made me want to join Kodo.

I first saw Miyake when I was a high school student. I watched the performers push themselves to their limits, brimming with masculine fighting spirit. I thought they were beyond cool!
I’ll never forget that sensation of trembling with excitement from deep within.

Now, I’ve been given the opportunity to play the center position in Miyake.

The excitement I felt way back then… I wonder if our audiences feel like it now.

I really want to give them that sense of excitement, so I will practice harder and harder. I’ll keep giving it my all.

Photo: Erika Ueda

Photo: Takashi Okamoto

 

“Kodo One Earth Tour 2019: Michi” Japan Tour

Upcoming Performances

Kodo “Legacy” Now Available on DVD!

Photo: Erika Ueda

We hope you’ll add this performance to your home theater collection.

It’s a complete non-stop concert experience, all 94 minutes! So sit back and enjoy it as if you’re right there in the audience.

Released: May 24, 2019
Price: 4,860 yen (tax incl.)

See here for details.

Available now at Kodo Online Store in English and at Kodo performances in Japan.

“OK!!!” by Yuta Kimura

We carry out detailed checks before each performance.
We check the position of our equipment, our drumsticks, the tuning of the drums, and so on…
When everything is in position, we say “Pre-Set OK!”

Photo: Yuta Kimura

One of the things I really like about Kodo since entering the group is that everyone handles the drums with a great deal of care.

Everyone pays attention to the condition of the skins, of course, but Kodo performers also wipe the drums before the performance so they look beautiful when we take the stage.

Photo: Yuta KimuraOne of the more senior members once told me, “Be prepared for anything that could possibly happen.”

No matter where I am, what kind of venue, or who is coming to watch us perform, one thing is constant: I make sure I always do a thorough pre-performance check so I can deliver my best performance.

Photo: Yuta Kimura

We still have many places left to visit on our North America tour.

We want our sentiments to reach the audience through our sound.
With that in mind, we carefully prepare for every performance until we can say with confidence:
“Pre-set OK!!!”

 

Photo: Yuki Hirata

 


 

Coming Up Next:

“Kodo One Earth Tour 2019: Evolution” North America Tour


 

“Extra Challenges” by Issei Kohira

Our “Evolution” North America Tour is gradually nearing its end. We are all doing well.

Photo: Takashi Okamoto

This time, I have the added challenges of playing chappa (cymbals) and bamboo flutes on stage, as well as taiko.

Photo: Takashi Okamoto

Considering baseball player Shohei Otani is called a two-way player for pitching and fielding, perhaps I’m a three-way player?
It sounds presumptuous for me to say that, but I am grateful for this rare opportunity.

Photo: Takashi Okamoto

I have a lot to work on for each different instrument, and I need to work on my mindset and how I use my body, too. I don’t want to tackle any of these challenges half-heartedly. As I focus on each challenge, I am acutely aware that becoming a good all-rounder is not an easy goal.

Photo: Takashi Okamoto

However, I do have feelings of fulfillment. No matter what instrument I play, I will keep doing my best each day and hope I can connect with our audiences.

Photo: Takashi Okamoto

We’re into the second half of our tour now. Along with my energetic, smiling colleagues, I’ll continue to give it my all as we share Kodo’s sound with the people of North America.

I’ll keep doing my best!

Photo: Takashi Okamoto

 

“Kodo One Earth Tour 2019: Evolution” North America Tour


“Uniqueness” by Shun Takuma

This tour, is actually my first time overseas. As a foreigner abroad I am relishing all the fresh experiences. Observing people, walking in the different cities and trying the local food. Yet at the same time there are moments of homesickness for Japan.

 

European audience responses varies from country to country. In some places the emotions are freely expressed, elsewhere there is more reserve (rather like myself.) This clear difference of response from place to place is one of the unique pleasures of touring – seeing these contrasts back to back.

 

Strangely, it feels as if the difference between the reactions makes the actual content of “Legacy” look like a different show every time. Is the same show experienced differently, or is each show a different experience? Frankly, I have no need to answer my own question. I am just loving touring. All that has already happened and all that is still to come.

 

 

 

 

Where is Kodo performing next? (March 7, 2020)

 

“Spending Time with Young American Taiko Players” by Yuki Hirata

Photo: Takashi Okamoto

I met three sixteen-year-old taiko players who were born and raised in the USA.

They first encountered taiko through a community group when they were in elementary school.
They love taiko and all still play.

These young US taiko players were so interested to meet taiko players from Japan.
They asked us questions like:

“When and how did you get into playing taiko?”
“What kind of practice do you do?”
“Do you compose songs?”
“The way you use your body to play frisbee is similar to how you use it to play taiko, don’t you think? (This one was from a frisbee player)

Photo: Yui KamiyaAt our exchange event

Most of our one and a half hour chat was a barrage of questions from them.

When I had the chance, I asked them, “What is it about taiko that you like?”
One of them answered, “The sound of our taiko makes the audience smile and feel happy. How cool is that? That makes me really happy. Also, I like the vibrations you feel in your body when you play.”

Then the three of them said, “Most of all, playing taiko is fun!”

Seeing them talking happily about taiko with a sparkle in their eyes reminded me that all taiko players have something important in common: that feeling of enjoyment when we play.
Taiko is fun!

Photo: Koji MiyagiWorkshop in Boulder, Colorado

The appeal of taiko has reached places far away from Japan.
In completely different environments, taiko players around the world are hooked on the same instruments as us.
We’re all crazy about taiko.

Photo: Yui KamiyaAt an exchange event

The taiko community is expanding around the world.
Let’s connect more and more, and make the good vibrations of taiko reach further and further.

Photo: Takashi Okamoto

 

“Kodo One Earth Tour 2019: Evolution” North America Tour



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